Clinic 4 2022-23-2

Clinic 4 2022-23-3
Right at yeah 20.5 Graham Jardine Pictorial Gold
Right at yeah 20.5 Graham Jardine Pictorial Gold
J1 Low angle works well, car is sharp where it needs to be and the heat shimmers add to the story. Not sure the top white area and the underside of the overhead object are necessary.
A Rendezvous 24 HM DP Judy Boufford Pictorial Master
A Rendezvous 24 HM DP Judy Boufford Pictorial Master
J2 a minimalist image can be very beautiful
Slow evening over the canal 22 Andy Langs Pictorial Gold
Slow evening over the canal 22 Andy Langs Pictorial Gold
J1 The long exposure has blurred the water and the clouds nicely. The lines of both piers lead the viewer to the horizon. It#039;s a lovely setting but needs a stronger centre of interest.
Machrie Golf Course Islay Scotland 21 James Hamilton Pictorial Gold
Machrie Golf Course Islay Scotland 21 James Hamilton Pictorial Gold
J3 Look like another damn spot to lose a golf ball. Technical elements are well done with few distractions and a nice balance between foreground, middle and background Consider adding a little brightness to the image.
Escarpment Glory 23 HM GPP Graham Jardine Pictorial Gold
Escarpment Glory 23 HM GPP Graham Jardine Pictorial Gold
J3 Although the colour saturation is very strong it adds considerable impact to the image. The blue wall face of the escarpment provides a suitable background for the main area of interest.
Oakville Harbour in Fog 21 Peter Chow Pictorial Gold
Oakville Harbour in Fog 21 Peter Chow Pictorial Gold
J3 The bright yellow bollard anchors the image and provides contrast with the foggy pier. Suggest a lower camera angle to reduce the area where there is little interest between the foreground and the pier .
Whisky Dunnage Warehouse 20 James Hamilton Pictorial Gold
Whisky Dunnage Warehouse 20 James Hamilton Pictorial Gold
J2 the interest here is really on the barrels rather than the large area of wall which is our of focus and the bright window. it might have added interest and impact if the maker stood a bit further back to show more of the row of barrels and less of that wall.
Urban Red Tail  21.5 BPP Dean Hughes Pictorial Bronze
Urban Red Tail 21.5 BPP Dean Hughes Pictorial Bronze
J3 Excellent capture of the hawk. It could use a little more exposure in the eye#039;s. Unfortunate the environment didn't allow entry in the nature category.
Broken stick attack                       Top Pictorial 26.5 TC DP Greg Alderson Pictorial Master
Broken stick attack Top Pictorial 26.5 TC DP Greg Alderson Pictorial Master
J1 Great action shot, love the broken stick and the look on the face of the player on the right.
Checking Bubblers Lasalle Marina 20.5 David Evans Pictorial Master
Checking Bubblers Lasalle Marina 20.5 David Evans Pictorial Master
J2 technically a good image. for higher marks it needs to have more impact. this is more of a snapshot type. a good image should stand on its own to tell the story without the title, here the story is not obvious, seeing two people walking wouldn#039;t mean much with out the title.
Reading by Candlelight 20.5 Herb McClelland Pictorial Gold
Reading by Candlelight 20.5 Herb McClelland Pictorial Gold
J1 The composition is good but the books need greater depth of field and the candle appears very distorted
Iceformation lit by sun in Port Dover 22.5 Bela Acs Pictorial Master
Iceformation lit by sun in Port Dover 22.5 Bela Acs Pictorial Master
J2 really nice composition, it is balanced in all aspects. the border works well and the exposure is good. Would have scored even higher with a little more sharpness on the ice and light house
Old times  20 Dean Hughes Pictorial Bronze
Old times 20 Dean Hughes Pictorial Bronze
J1 The subject is too high in the frame, giving too much importance to the foreground grass. More information above the vehicle might have added to the story.
Winter Fishing 22 BPP Laura Nelson Pictorial Bronze
Winter Fishing 22 BPP Laura Nelson Pictorial Bronze
J3 The choice of a monochrome presentation has eliminated many of distractions from the subject. In addition it adds to the mood of a very chilly day. Consider cropping some of the sky where there is no detail.
Music to my ears 21 Ed Espin Pictorial Master
Music to my ears 21 Ed Espin Pictorial Master
J2 not sure if the music is going "to my ears" or somewhere else...!
Zabriskie point 22 Victor Turczynski Pictorial Master
Zabriskie point 22 Victor Turczynski Pictorial Master
J3 I was there at sunrise a while ago and it#039;s always a treat to see someone else's view. The technical elements are well done, with lots of detail in the shadow areas. Consider cropping most of the sky to focus more attention on the main area of interest.
Cameron Lake Afterglow 22 Graham Jardine Pictorial Gold
Cameron Lake Afterglow 22 Graham Jardine Pictorial Gold
J2 nicely composed image, good light and exposure. overall well done it just needs a little something to add to the interest and impact (ex. a bird silouette, a boat...etc)
M- M- Good 19 John Bunyon Pictorial Gold
M- M- Good 19 John Bunyon Pictorial Gold
J2 close ups, food adds etc need to be much much sharper in order to show the product as well as possible. also the white border is too bright. try a thinner one and maybe a little more the color of the plate rather than white.
pic3 22 BPP Robert Segarra Pictorial Bronze
pic3 22 BPP Robert Segarra Pictorial Bronze
J3 Good technical execution with strong foreground provided by a suitable lens choice. Lots of interest throughout. The light is very flat. Consider adding a little brightness to the foreground to set it apart from the rest of the image.
Jagged 18 John Russell Pictorial Silver
Jagged 18 John Russell Pictorial Silver
J2 landscape images need to be sharp to be able to see any detail on the land. make sure you focus properly on the subject. also the sky area is too much and doesn#039;t add anything to the photo, most can be cropped.
Ice Campfire 21.5 Andy Langs Pictorial Gold
Ice Campfire 21.5 Andy Langs Pictorial Gold
J2 image is creative and interesting, suggest crop off the bottom part where the stick is showing that area is too busy and not needed. If not possible to do, next time try a different angle to avoid it. simplify as much as possible to draw attention to the main subject-the wonderful ice formations.
How could you forget your keys 22.5 Geoffrey Skirrow Pictorial Gold
How could you forget your keys 22.5 Geoffrey Skirrow Pictorial Gold
J2 a nice story and a well handled background. there may be a little too much empty space, try bringing subject closer by cropping top and right
side about an inch.
Lindores Abbey Casks 20.5 James Hamilton Pictorial Gold
Lindores Abbey Casks 20.5 James Hamilton Pictorial Gold
J2 coming up close and cropping the subject like this works when there are interesting closeup details to show. not sure there is enough details to work with in this photo, perhaps stepping back and showing the entire casks might have been better. or leave the left cask as is, it is nicely cropped, but show the entire cask on the right. the low point of view angle is nicely done.
Daria 22 HM SPP Marino Favretto Pictorial Silver
Daria 22 HM SPP Marino Favretto Pictorial Silver
J2 nice window light portrait, the face and hair nicely placed. the arms and leg position hide a lot of the beautiful lingerie which is a big part of the beauty in this image.
Amedea 22 HM SPP Marino Favretto Pictorial Silver
Amedea 22 HM SPP Marino Favretto Pictorial Silver
J1 The pose is good and both the fabrics of the curtains and bedsheets contrast nicely with the model#039;s skin. The light is too even, making the image seem flat.
Foggy Oakville Marina 22 Peter Chow Pictorial Gold
Foggy Oakville Marina 22 Peter Chow Pictorial Gold
J2 what really stands out in this photo is more the foreground rocks then the marina, not sure this is what the maker intended. However, the juxtaposition between the sharp dark rock formations to the white foggy marina is an interesting one. nice exposure and reflection on the water. the dry grass on the left adds to the composition.
Our Lady of Vctory #2 21.5 Don Poulton Pictorial Master
Our Lady of Vctory #2 21.5 Don Poulton Pictorial Master
J2 careful not to oversaturate the colors in images
Ali#039;s Window 22 HM SPP Marino Favretto Pictorial Silver
Ali#039;s Window 22 HM SPP Marino Favretto Pictorial Silver
J1 Framing is rather tight. J2 this subject on both photos needs a little "softening" for a romantic effect and to lessen the harshness on the face. many such filters you can experiment with to give this effect on portraits such as this one. Especially when the subject is a white skinned, white blond hair lady dressed in white. would make a nice high key photo as well. J3 Technically well done portrait in natural window light. The eye contact is particularly effective. The arm and hand under the chin looks a little contrived. Consider another placement.
Street musician in Havana 24 HM DP Bela Acs Pictorial Master
Street musician in Havana 24 HM DP Bela Acs Pictorial Master
J1 Nice street portrait, very good framing.
Bromance of sunny afternoon 21 Bela Acs Pictorial Master
Bromance of sunny afternoon 21 Bela Acs Pictorial Master
J1 Nice shot showing their environment, but the fact that they are posing takes away from the story.
pic4 20.5 Robert Segarra Pictorial Bronze
pic4 20.5 Robert Segarra Pictorial Bronze
J1 The frame is divided in half, a square crop from the left might work better, leaving more then enough space for story being told.
pic2 21 BPP Robert Segarra Pictorial Bronze
pic2 21 BPP Robert Segarra Pictorial Bronze
J2 horizon could be straightened a little more. rendering it BW is a good idea. a little overexposure on the top of the subject(not sure what its called!). photo is creatively taken capturing the reflections on the bottom.
Richard in deep water 22 Bela Acs Pictorial Master
Richard in deep water 22 Bela Acs Pictorial Master
J1 Is this a true reflection or created digitally?
Snow Bunting 21.5 Peter Chow Pictorial Gold
Snow Bunting 21.5 Peter Chow Pictorial Gold
J1 The bird is sharp and the environment adds to the setting. It needs more elements in the frame to tell a stronger story.
Ali 21 Marino Favretto Pictorial Silver
Ali 21 Marino Favretto Pictorial Silver
J1 She seems a little crowded into the frame
Incoming Mallard                            Top Nature 25.5 TC DP Greg Alderson Nature Master
Incoming Mallard Top Nature 25.5 TC DP Greg Alderson Nature Master
J2 great capture, shape everywhere, good exposure and a nicely handled background
American Robin 24 HM DP Gary Love Nature Master
American Robin 24 HM DP Gary Love Nature Master
J2 good timing to catch this action photo, makes a more impactful image. nice exposure and color saturation and fairly good sharpness until we get to the tail area which is out of focus due to the depth of field. overall a very nice image.
Saw-whet Owl  20.5 Dan Copeland Nature Master
Saw-whet Owl 20.5 Dan Copeland Nature Master
J2 great subject in its natural surrounding, eyes and face area nicely lit with good sharpness. it is unfortunate that the out of focus branch on the left overtakes a lot of the picture and the tree leaves guide some of the owl. However, given the situation it looks like its beyond the makers control. Perhaps after taking this shot maker could find another angle where branches were not as obtrusive.
Nuthatch feeding on Milkweed 23 Gary Love Nature Master
Nuthatch feeding on Milkweed 23 Gary Love Nature Master
J1 Good exposure holding detail in the highlight. No distractions in the background and the milkweed pods add an important element to the story.
Mallard 18 Dean Hughes Nature Bronze
Mallard 18 Dean Hughes Nature Bronze
J2 image is too small, for good scores some sharpness is needed whether is on the droplets or the bird. Nice action shot if more technical care is taken. try increasing speed.
Cabbage White  18.5 Laura Nelson Nature Bronze
Cabbage White 18.5 Laura Nelson Nature Bronze
J3 Good placement in the frame. Suggest a little crop on the right edge. The technical elements of background control and sharpness particularly on the subject are weak. Consider more depth of field.
Chipping Sparrow 23.5 Bertin Francoeur Nature Master
Chipping Sparrow 23.5 Bertin Francoeur Nature Master
J2 wonderful composition, bird is small on the frame but in this instance it works well as it shows this tiny bird in the wintery cold environment it has to survive in.
Ice on Rocks 20.5 Laura Nelson Nature Bronze
Ice on Rocks 20.5 Laura Nelson Nature Bronze
J2 the ice on the rocks is interesting however the surrounding area not so much. since the maker obviously wanted the viewer to notice the interesting ice formations it might be a better idea if zoomed in much closer, crop the entire top and left scene and focus on the rock ice formation only. also increase contrast a bit.
Blue Jay 22.5 John King Nature Gold
Blue Jay 22.5 John King Nature Gold
J2 image could improve if you lower the exposure on the top of head of the bird in processing and also apply a denoize filter on the background to soften it which would make bird stand out nicer. wonderful catchlight and sharpness on the eye
Banded Orange Heliconian 19 Leonie Holmes FCAPA Nature Master
Banded Orange Heliconian 19 Leonie Holmes FCAPA Nature Master
J2 image has too much grain, perhaps from too high iso. Take care to focus well on the subject in order for it to be sharp.suggest maker move in different angles to avoid all the distractions of the surrounding area especially on the left of image.
Black Capped Chickadee 21.5 Gary Love Nature Master
Black Capped Chickadee 21.5 Gary Love Nature Master
J2 List if the bird us nicely sharp, lightning is nice here as well. the background does not look very natural-top area there is a dark spot that could easily be removed and the large blurred leaf on the right has some discolouration all around the edges. moving angles to avoid the distracting leaf on the right might help the image be better.
Mute Swan feeding her cygnets   Top Nature 25.5 TC GPP Geoffrey Skirrow Nature Gold
Mute Swan feeding her cygnets Top Nature 25.5 TC GPP Geoffrey Skirrow Nature Gold
J1 Lovely nature story-telling J2 perfect exposure, good sharpness (you can see the droplet details on the swan), well composed in the frame and a wonderful story. this is the perfect package for a good nature image.
Two Osprey Nestlings Waiting for Food 22 Geoff Dunn Nature Master
Two Osprey Nestlings Waiting for Food 22 Geoff Dunn Nature Master
J2 nice composition and lighting, try not to over sharpen. there is a light area present on bottom left that looks as if something has been cloned out and there is a something like a dust spot on the top of the left bird#039;s back that could easily be removed.
Damselfly pair 24.5 HM DP Judy Boufford Nature Master
Damselfly pair 24.5 HM DP Judy Boufford Nature Master
J2 top left green area doesn#039;t add to image. it rather distracts the viewer. you could crop it out and simplify the image to the nice crisp background that is everywhere else so the damselflies really stand out.
Golden Digger Wasp 22.5 Geoff Dunn Nature Master
Golden Digger Wasp 22.5 Geoff Dunn Nature Master
J3 Technically superb. The square format works very well in this image. Strong colour impact combined with the nature story.
Black-eyed Susan 22 Victor Turczynski Nature Master
Black-eyed Susan 22 Victor Turczynski Nature Master
J3 The technical elements of exposure, and sharpness are well done with lot#039;s of detail. The composition is very static. Consider taking a less straight on view.
American Mandrake Flower 20 David Evans Nature Master
American Mandrake Flower 20 David Evans Nature Master
J1 A well-exposed record shot of this bloom. Background is nicely muted and does not distract from the subject.
Juvenile Trumpeter Swan 21 David Evans Nature Master
Juvenile Trumpeter Swan 21 David Evans Nature Master
J1 The lower perspective works well as does the muted background. A good portrait but the image lacks impact and/or story-telling. It is exposed well.
Barn Swallow 20 Dean Hughes Nature Bronze
Barn Swallow 20 Dean Hughes Nature Bronze
J2 a nice subject to photograph with image nice composed. the background at the top seems to have color artifacts perhaps form perhaps due to noise, high ISO or other reasons. Bird needs to be crisp and sharper for higher marks. overall image is a bit flat - using a good long lens is best for photographing birds. In post processing open up shadows on the back if quality allows.
Beetle on Bombus tongue 23 Dan Copeland Nature Master
Beetle on Bombus tongue 23 Dan Copeland Nature Master
J3 Good macro technique with a strong nature story. Consider a little less brightness in the foreground.
Collared Aracari 24 HM DP Kathryn Martin Nature Master
Collared Aracari 24 HM DP Kathryn Martin Nature Master
J2 technically excellent and a very unusual bird
Sturgeon Moonrise 21.5 Colleen Bird Nature Master
Sturgeon Moonrise 21.5 Colleen Bird Nature Master
J2 seen many moon photos but few that actually had stars showing as well, nicely done. borders are not generally good idea in nature division however it is needed here due to all the black sky. a thin, grey , unobtrusive border might have been best rather than matching it to the moon color.
Blackburnian warbler 21 Andy Langs Nature Gold
Blackburnian warbler 21 Andy Langs Nature Gold
J2 the warbler is nice an sharp throughout and has a nice catchlight in the eye. lightning is well handled. background is very busy but that is the nature of its home. "bird on a stick" can be beautiful photographs but no matter how well executed there has to be more of a nature story for impact and higher scoring marks.
Great White Egret Catches Fish  Top Nature 26 TC DP Geoff Dunn Nature Master
Great White Egret Catches Fish Top Nature 26 TC DP Geoff Dunn Nature Master
J2 wonderful detail on both the swan and fish and great lighting.
Mute Swan 22 Victor Turczynski Nature Master
Mute Swan 22 Victor Turczynski Nature Master
J2 a very close up portrait of a bird such as this image has a more pictorial quality than a nature story.it is an artistic bamp;W image with good detail, but not strong in this category.
Richie Plentiful 24 HM DP Bela Acs Creative Master
Richie Plentiful 24 HM DP Bela Acs Creative Master
J1 Monochrome works well, the tones and textures are accentuated. The overall effect might be stronger it if the "spiraling" continued rather than a different pattern in the centre.
The light  22 Dan Copeland Creative Master
The light 22 Dan Copeland Creative Master
J2 the image is interesting and unusual, the light falling on the bottom layer seems to be reflecting in the lightbulb making it a creative image. the bottom of the lightbulb is dark with only half of it showing, perhaps it was intentional to add to the creativity however maker might try lighting that area to make bulb stand out from rest of black background. J3 Consider trying a pano presentation.
Bricks Of Red And Blue 20.5 Leonie Holmes FCAPA Creative Master
Bricks Of Red And Blue 20.5 Leonie Holmes FCAPA Creative Master
J1 It#039;s difficult to tell if this is a painted brick wall or if the maker has played a part in the creation.
Web Casting                         Top Creative 25 TC GPP John King Creative Gold
Web Casting Top Creative 25 TC GPP John King Creative Gold
J3 A tad more detail in the silhouette would add interest.
Double Bubble Dancing 22.5 Geoff Dunn Creative Master
Double Bubble Dancing 22.5 Geoff Dunn Creative Master
J3 Good technique with seamless symmetry leading to a pleasing composition. The leading lines add interest to the dark foreground. Nice balance to the image space.
Amped Giant Dandelion 20.5 Elzbieta Piskorz Creative Gold
Amped Giant Dandelion 20.5 Elzbieta Piskorz Creative Gold
J2 this division requires images to "depart from reality" and this image, although nicely taken, is not as strong in this category. other than a possible filter applied to it, it is still pretty realistic.
Breaking Down 22 Elzbieta Piskorz Creative Gold
Breaking Down 22 Elzbieta Piskorz Creative Gold
J3 Consider trying a 90 degree rotation to the right.